#and people were so confused

[quietmelt]

this is what yellowpaw’s (the cat i posted a few days earlier) parent has done

what the FUCK PODFRECKLE

this is where yellowpaw gets her murderous tendencies from probably

[fishyfishyfishtimes]

It's always so weird to come down from the biology heavens to see what the average person believes about animals, plants, ecosystems, just the world around them. I don't even mean things that one simply doesn't know because they've never been told or things that are confusing, I'm talking about people who genuinely do not see insects as animals. What are you saying. Every time I see a crawling or fluttering little guy I know that little guy has motivations and drive to fulfill those motivations. There are gears turning in their head! They are perceiving this world and they are drawing conclusions, they are conscious. And yet it's still a whole thing if various bugs of the world feel pain or if they are simply Instinct Machines that are Not Truly Aware of Anything At All????? Help!!!!!! How can you look at a little guy and think he is just the macroscopic animal version of a virus

[justaz]

love the fact that percy and annabeth both think that the title of gf/bf doesn’t truly encapsulate their relationship. love that annabeth calls percy “her friend” to damasen in tartarus because she thought the title “boyfriend” didn’t cover all that percy was to her and that “friend” was more accurate. they are dating but they are best friends above everything else and god isn’t that just so beautiful

[casualavocados]

Tomorrow? Tomorrow everything will be different.

THE WHEEL OF TIME 3.04 | The Road to the Spear

[gin-juice-tonic]

obligatory make sure you have this toggle on (AKA, turned blue, AKA the white dot is to the right) like how it's shown in this image

So that tumblr doesn't just sell off the contents of your blog to whichever AI partner they have. (Hopefully.)

Especially if you are a new blog.

You can find the option in your blog settings under visibility.

[satoblue]

you know how different parts of japan have their own little dialects and slang? i can totally imagine satoru teaching you japanese — patient and a little smug. he is definitely enjoying being your personal sensei. but along the way, you stray from his teachings and start picking up random words from people all over as well. like from some sweet old lady down the street or a cashier at the store. then one day, in the middle of chatting, you casually drop one of the words, hoping to impress him with your new findings. but satoru just stops, lips parted, staring at you in awe like you’re some foreign species of alien before losing it and tossing his head back in genuine laughter — bc he certainly wasn’t expecting that.

[aclockworkreader]

i finally watched nosferatu (2024) and i’ve come to the conclusion that many people either don’t like or just don’t understand gothic horror as a genre. everyone was acting like it’s the most disturbing, depraved movie they’ve ever seen and quite frankly, i think it could have been much weirder. it’s a near perfect vampire movie. appropriately dark, erotic, and horrific with classic elements of the gothic genre. and a masterful (and surprisingly feminist) exploration of trauma and the dichotomy of shame and desire. it’s a story about being repulsed by your own desire and feeling unlovable because of it, but feeling it nonetheless. and overall i think the film does a fantastic job at working through these themes.

[pissterdaniel]

We took cardboard Phil out for a good time!!!

@shitwheresfoxy DIY'd the cutout, and @boardgamedanny and I joined in for a good time.

Little video of Phil ice skating 😊⛸️

@amazingphil

[nelkcats]

Haunted City

Danny could admit that pretending to be a "regular ghost" was pretty fun. He could hide in one place and scare people who were waiting for an open door and a creepy laugh.

Honestly, Danny could do a lot more than that, the ghosts people believed in were nothing like the ones he knew. He wondered if there were simply different types of ghosts, or supernatural creatures; it was quite likely, considering that the ghosts of the Realms weren't even of the same dimension so it wasn't a fair comparison.

Anyway, the halfa had spent a couple of days "haunting" Gotham. The place was too leggy and they needed a little excitement in their lives. Of course, this led to some rumors about a spirit suffering or something similar, he didn't really care.

The "heroes" of Gotham didn't seem to share his opinion, going through all the places that had been "attacked" (they were just jokes) and looking for some explanation before calling Justice League Dark, Danny had fun scaring them a little in the process.

But he wasn't too interested in being exorcised, banished or whatever they did with rebel ghosts, so he settled on a mansion that was too big for its few inhabitants. Scaring billionaires was almost therapeutic, although the butler didn't seem too impressed by his (minimal) efforts.

[lycandrophile]

at this point i don’t even have any commentary to add to this. i’m just tired.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[notannascribbles]

I will like actually never get over the choice to have marinette break adrien's rings in werepapas. without trying any other options. without any hesitation except for a slight look of concern on her face. and seeing her visually express concern/relief communicates to us that she knew there was a risk of her hurting/killing adrien there. and she just. did it anyway? without even trying to help millie break the akumatization herself? makes it hard for me to even like. understand marinette's characterization at all. she's committed to doing All This out of love for adrien but is also willing to quickly gamble his life in a situation with no other clear path forward? this decision, from the girl whose defining character traits are love, creativity, intelligence, and determination? she couldn't think of a way to navigate that situation that didn't involve risking her boyfriend's existence? most baffling writing choice of all time. borderline character assassination. to me.

[arrows-and-ace-thetics]

Reminder that even if your asexuality or aromantism could have a "different source", if these terms help you feel safe and advercate you needs you can still use them!

Maybe you are a "late bloomer" or "too young to know" but maybe the identity means you can explain yourself better, you can find others who feel the same, you can take things at your own pace. That's OK.

Maybe you're on medication, maybe you have some sort of neurodivergence that is affecting things. If these terms help explain your emotions or how you are "lacking" a certain thing, that's OK.

Maybe you're trans and you're not sure how your dysphoria effects it. Identities and feelings are confusing. That's OK.

Cause for every person who realises the terms no longer fit, there's someone who wishes they used the terms earlier. If you have shared experience, if the terms help you define yourself and protect yourself or hell just give a small sense of belonging that's OK.

You're welcome here

[twilightakiishi]

this scenario has been on my mind for a long while; specifically with togame or hiragi but it really could be any windbreaker man :3 totally unedited and totally not even trying to make it sound good just getting the idea off my chest !!

he doesn't really know why you broke things off; it was sudden and unexpected, things had been going good. but he wants what's best for you so he lets you go begrudgingly, and just as he's starting to move on, he spots you at a festival, or a street fair, or window shopping in town. and all that emotion comes racing back, heart pounding in his chest because you look so pretty like always. and maybe he hadn't been moving on, he just didn't realize how much he actually missed you.

and as his feet carry him closer to you against his will, his heart drops to his stomach when he finds endo and takiishi trailing after you and it's like everything stops. whatever he was in the middle of doing is an afterthought, your safety is first priority, and just as he's within reach to pull you by your arm or deck one of those nasty fucks in the jaw, you turn your head to smile at endo the way you used to smile at him. it's genuine, it's warm, your eyes are crinkling at the edges. your arm is loosely linked with takiishi's, like how you used to hold him so he wouldn't lose you in the crowd.

you don't notice him, but they sure do. two sets of eyes shoot him a warning glare, one pair filled with mirth, the other, bloodlust.

[broken-heart-raven-queen]

I just tought about that time Neil and Aaron had to be separated from eachother by some random athletes (who spontanoeusly got names) because they were trying to kill the other and then a few days/month later the same people saw Neil with Andrew and were like WTF